Monthly Archives: February 2010

LE 308 / FABRE/deMARIEN architectes

© Stéphane Chalmeau Architect: FABRE/deMARIEN architectes Location: Bordeaux, France Client: Aquitaine Order of Architects Engineer: CETAB Project year: 2009 Project Area: 950 sqm Budget: 1,110,000 euros TTC Program: Offices, Conference and Exhibition Hall Photographs: Stéphane Chalmeau This renovation/extension project is intended to accommodate the Aquitaine Order of Architects, the Aquitaine Architects House, the Aquitaine Architects Training Centre and the offices of A&CP (Architecture and Public Contracts). The project consists of three distinct parts, inter-connecting and starting from the avenue Thiers, Cité Saint Martin: Courtyard, existing building, extension. This building, formerly used for the transformation and distribution of electrical energy, is considered as the unchanging soul of the project due to its mass, the frankness of its architecture and the brutality of its matter. © Stéphane Chalmeau Its interior shell remains intact. This project complements the existing design, it is a new layer and a new story. Contemporary interventions have systematically used white. The courtyard is an outside event area; it is an area in which a prototype, a model or a container can be displayed or a celebration organised. It is an available outside area, large, unoccupied and with direct vehicle access from the avenue. The new façade is double: It combines the existing façade (added joinery removed) with a fully glazed façade behind it. The concrete arch and porticos are visible from the street. section On the ground floor, the space between the two façades becomes a covered entrance to the exhibition hall, on the first level, an unexpected loggia directly accessible from the Supervisory Council hall, gives an uninterrupted view of the avenue and its activities. The existing staircase is retained, providing an agreeable place for discussion and waiting before entering. The renovated building is left as it is: Concrete becomes a random texture, walls retain the traces and stigma of previous occupation. The top floor is cut out in the centre of the former factory: This is the empty space overlooked by all offices. It is a vertical traffic area, staircases and walkways serve the three upper levels. This is the “inside facet” of the offices, the core of the activity, tête-à-tête meetings, group work. Each office, running from one side of the building to the other, is double-oriented allowing natural lighting and air circulation. ground floor plan first floor plan second & third floor plan Users are grouped in the same “house.” The available volume in the silos formerly occupied by the transformers is optimised: Access to conference and training halls, ancillary and storage rooms on the ground floor and ten wooden floors in the upper levels dedicated to office space. The extension covers the entire plot to the north and complies with applicable property limits. It is a single-story, metal-framework building with a height of 5 metres in accordance with joint ownership regulations, which curves between the conference hall and the offices of the Aquitaine Architects Training Centre, thus generating a supply of light, following the inversed double slope of the roof to the offices located in the silos and to the very heart of the building. © Stéphane Chalmeau The façade and roof are clad with white corrugated iron sheets. The entire building becomes a double-oriented through space, limited by one façade at the north end and one at the south end. The shell of the existing building was insulated from the outside. The extension was insulated by means of double-skin cladding. The existing façade plays the role of a double frontage that protects, on the south-facing side, the new façade, which consists of an all-height glazed curtain wall designed to obtain maximum light in the exhibition and work areas. © Stéphane Chalmeau On the north-west side, adjustable sunshades provide protection from the sun at the end of the day. In the existing building, heat is produced by a gas boiler. The radiators are equipped with fans in the most voluminous areas in order to increase efficiency. Each office is equipped with an independent radiator and an opening window. © Stéphane Chalmeau In the extension, a double-flow air conditioning unit ensures air-renewal and hot-air production. In summer, this system can be run at night to cool down premises that are not air-conditioned. Training and conference halls are equipped with opening windows to favour natural air circulation.

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LE 308 / FABRE/deMARIEN architectes

© Stéphane Chalmeau Architect: FABRE/deMARIEN architectes Location: Bordeaux, France Client: Aquitaine Order of Architects Engineer: CETAB Project year: 2009 Project Area: 950 sqm Budget: 1,110,000 euros TTC Program: Offices, Conference and Exhibition Hall Photographs: Stéphane Chalmeau This renovation/extension project is intended to accommodate the Aquitaine Order of Architects, the Aquitaine Architects House, the Aquitaine Architects Training Centre and the offices of A&CP (Architecture and Public Contracts). The project consists of three distinct parts, inter-connecting and starting from the avenue Thiers, Cité Saint Martin: Courtyard, existing building, extension. This building, formerly used for the transformation and distribution of electrical energy, is considered as the unchanging soul of the project due to its mass, the frankness of its architecture and the brutality of its matter. © Stéphane Chalmeau Its interior shell remains intact. This project complements the existing design, it is a new layer and a new story. Contemporary interventions have systematically used white. The courtyard is an outside event area; it is an area in which a prototype, a model or a container can be displayed or a celebration organised. It is an available outside area, large, unoccupied and with direct vehicle access from the avenue. The new façade is double: It combines the existing façade (added joinery removed) with a fully glazed façade behind it. The concrete arch and porticos are visible from the street. section On the ground floor, the space between the two façades becomes a covered entrance to the exhibition hall, on the first level, an unexpected loggia directly accessible from the Supervisory Council hall, gives an uninterrupted view of the avenue and its activities. The existing staircase is retained, providing an agreeable place for discussion and waiting before entering. The renovated building is left as it is: Concrete becomes a random texture, walls retain the traces and stigma of previous occupation. The top floor is cut out in the centre of the former factory: This is the empty space overlooked by all offices. It is a vertical traffic area, staircases and walkways serve the three upper levels. This is the “inside facet” of the offices, the core of the activity, tête-à-tête meetings, group work. Each office, running from one side of the building to the other, is double-oriented allowing natural lighting and air circulation. ground floor plan first floor plan second & third floor plan Users are grouped in the same “house.” The available volume in the silos formerly occupied by the transformers is optimised: Access to conference and training halls, ancillary and storage rooms on the ground floor and ten wooden floors in the upper levels dedicated to office space. The extension covers the entire plot to the north and complies with applicable property limits. It is a single-story, metal-framework building with a height of 5 metres in accordance with joint ownership regulations, which curves between the conference hall and the offices of the Aquitaine Architects Training Centre, thus generating a supply of light, following the inversed double slope of the roof to the offices located in the silos and to the very heart of the building. © Stéphane Chalmeau The façade and roof are clad with white corrugated iron sheets. The entire building becomes a double-oriented through space, limited by one façade at the north end and one at the south end. The shell of the existing building was insulated from the outside. The extension was insulated by means of double-skin cladding. The existing façade plays the role of a double frontage that protects, on the south-facing side, the new façade, which consists of an all-height glazed curtain wall designed to obtain maximum light in the exhibition and work areas. © Stéphane Chalmeau On the north-west side, adjustable sunshades provide protection from the sun at the end of the day. In the existing building, heat is produced by a gas boiler. The radiators are equipped with fans in the most voluminous areas in order to increase efficiency. Each office is equipped with an independent radiator and an opening window. © Stéphane Chalmeau In the extension, a double-flow air conditioning unit ensures air-renewal and hot-air production. In summer, this system can be run at night to cool down premises that are not air-conditioned. Training and conference halls are equipped with opening windows to favour natural air circulation.

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Long Barn Studio / Nicolas Tye Architects

Nicolas Tye Architects ‘  newest studio neighbors the practice’s barn-conversion residential project.  For their newest office space, the 2,200 sqf barn has been transformed into an elegant studio that rests comfortably against the rolling hillside of Bedfordshire.   Taking a mere 10 months to finish, the studio houses Nicolas Tye’s employees.  Serving as a manifesto of the studio’s beliefs, the building respects its contextual surroundings while demonstrating a contemporary identity. More about the studio and more images after the break. The building is a simple glazed rectangular unit with frameless 3.2m high glazed panels along its main elevations, which hold a very slight green tint to reflect the seasons.  The building is capped at both ends with full height larch cladding, and a series of larch timber “pods” house meeting rooms, a library, and a printing area. On a sustainable note, the studio utilises rainwater harvesting, has its own wind turbine, and uses an air heat recovery circulation system.   “With a build cost of £225,000, the building mirrors a sensitive, but provocative response to modern design, sustainability and the contextual issues of today.”  As seen on the Contemporist .  All images by Nerdia Howard                

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Earthquake in Chile

Dear readers, As you might have seen on the news, an 8.5 earthquake hit Chile on Saturday at 3:30AM. The country was seriously affected, specially in the southern part. A 15 story tall building (pictured above) fell to one side,highways collapsed,  several old buildings collapsed, and even  new buildings collapsed. It could have been way worse, if compared to Haiti (which was 7.something). This was due to the country’s seismic design code, recognized as one of the best in the world. So, the reason behind recent buildings collapsing seems to be bad construction, not design (contractors fault). As I said, the southern part was heavily affected due to the fact that constructions were old, and a lot of them were built with rammed earth in rural towns. Also a tsunami that came a few hours after swiped several costal towns. 706 deaths were informed a few hours ago. I´m happy to inform that our collaborators from Chile are ok. Our friends from Plataforma Arquitectura are reporting about earthquake from an architectural point of view in Spanish. They are also reuniting architects, working with the local architecture institute, schools and government to prepare a unified architecture network of relief. Architecture for Humanity will provide technical support (as they are heavily working in Haiti this days). We are going to keep you informed about this in case they need your help.

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Pierrefonds Community Center / FABG

© Steve Montpetit Architects:  les architectes FABG Location:  Montréal, Québec, Canada Program:  Community center Contractor: KF construction Budget: 5,000,000 $ can. Site area:  5,500 sqm Building area:  1,280 sqm Project Year:  2008 Photographs:  Steve Montpetit The Pierrefonds-Roxboro borough located on the west end of Montreal’s island contains a population of more than 65 000 inhabitants on a 30 kilometers strip of quasi suburban character. It shows a wide socio- economical diversity with more than 30% of tenants, 60% of allophones and 16% of its citizens living under the level of poverty. The proximity of a train station , a school, a youth center and a park along the boulevard Gouin led the municipal authorities to implement a new community center facilitating the integration of new citizens with the help of social organizations and volunteers. The center includes a multipurpose room for 150 persons, classrooms of different sizes and a communal kitchen. floor plan To avoid institutional stigmatization, the project adopts the morphology of commercial buildings built along the boulevard during the last few decades: a e one story building with large fenestration and a overhanging roof on small columns. This voluntary simplicity enabled us to provide the project with a green roof, an outdoor bandstand and a stage-house with a motorized technical grid even though they were not envisioned in the program. © Steve Montpetit Using the notion of camouflage, the project explores the possibility to formulate an architectural language suited for a public building at the crossroad of vernacular commercial buildings and the miesian ideal. A cladding of silicon coated glass panels and a glossy powder coating on aluminium plates were chosen for their resistance to graffiti. The building remains, a few years later, pristine and untouched by the expression of resentfulness on public property. © Steve Montpetit The authorities were concerned by the apparent frailness of the project that doesn’t rely on the robustness of masonry to resist abuse. We like to think that this defensive attitude may be perceived as a form of provocation by those who just want more justice and beauty in this world. Publication material via  v2com

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Mind Your Behaviour: How Architecture Shapes Behaviour

MIND YOUR BEHAVIOUR invites you into 3XN s universe and gives a glimpse into the thoughts, visions and processes forming the basis of 3XNs architecture focusing on behaviour. The exhibit challenges the concept of behaviour by providing a direct and physical meeting with 4 meter high abstract building sections as well as inviting the viewer to reflect on how architecture shapes our behaviour. The exhibit displays 28 projects from the last five years of 3XNs work. The exhibit will be on display at the Danish Architecture Centre until May 13. Afterward it will be on tour. The exhibit is followed by a book, which will be published March 4 in connection with an international summit on ‘Behaviour and the Built Environment’. For further information regarding the event please visit www.dac.dk .

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Mortuary Chapel of Santos-o-Velho / Domitianus Arquitectura

Architects: Domitianus Arquitectura Location: Santos-o-Velho, Lisboa, Portugal Architect in Charge: Paulo Tormenta Pinto Project Year: 2009 Photographs: Courtesy of Domitianus Arquitectura floor plan The rehabilitation of the mortuary chapel of Santos-o-Velho is based on a subtle integration in the existent building of the Santos Mártires Church. A succession of spaces are constructed to correlate the entrance of the building with the mortuary chapels. Some elements, such as the heavy steel and glass door and narrow light openings prepare the transition into the sacred space. The light appears as the main material in the project. It’s the light, that passes through the spaces and embodies all the intentions. The elements that make up the architectural spatiality acquire the luminary filter function, allowing the introduction of a quiet contemplative atmosphere. The lightness of the space is also expressed through a hanging bench which characterizes the long corridor that serves the chapels. This mediation space receives and distributes all natural light that enters in the building. The windows are located near the ceiling, dividing the large wall. These openings capture the special moments of the Santos- o-Velho Church steeple.

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Taipei Performing Arts Center / Kokkugia

We have featured several designs for the Taipei Performing Arts Center (such as the winning proposal by Reiser + Umemoto previously featured on AD ), and our latest project is from Kokkugia , a New York and London based architecture firm.  Kokkugia’s form, which is based on the location’s unique geography, is a compelling composition that attempts to create “a dynamic venue and a public space of spectacle.”   The slight slope of the site in emphasized in the form, as visitors enter from under the building.  The interior aims to create the best possible acoustics.  The roof is a network of semi-autonomous agents that reorganize to adjust so that the roof maintains some of its original geometry and other parts shift freely. More images after the break.   As seen on designboom

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Shower Basin Combo by Roca – Showerbasin

The Showerbasin by Roca is a smart, space-efficient bathroom essential which combines shower and sink into one. Ideal for small bathrooms in compact homes or condos, the shower-basin combo only takes up half the space of traditional bathroom suites, but delivers double the function. A Maxiclean shower enclosure comes in the choice of a central or corner design, with its entrance positioned either on the left- of right-hand side to suit your bathroom layout. Inside you’ll find the shower tray, and a shower column with fixtures on the interior and a mirror on the exterior. On the other side of the glass is the stylish wash basin, and vanity mirror above it comes equipped with a demister and integrated light. A furniture storage unit below the washbasin puts towels and toiletries within easy reach. The clean and contemporary look combined with compact convenience make shower-basin combo a must. For details visit Roca .

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Shower Basin Combo by Roca – Showerbasin

The Showerbasin by Roca is a smart, space-efficient bathroom essential which combines shower and sink into one. Ideal for small bathrooms in compact homes or condos, the shower-basin combo only takes up half the space of traditional bathroom suites, but delivers double the function. A Maxiclean shower enclosure comes in the choice of a central or corner design, with its entrance positioned either on the left- of right-hand side to suit your bathroom layout. Inside you’ll find the shower tray, and a shower column with fixtures on the interior and a mirror on the exterior. On the other side of the glass is the stylish wash basin, and vanity mirror above it comes equipped with a demister and integrated light. A furniture storage unit below the washbasin puts towels and toiletries within easy reach. The clean and contemporary look combined with compact convenience make shower-basin combo a must. For details visit Roca .

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Casa sul Sile / mzc archittetura

Architects:  mzc architettura Location:  Treviso, Italy Project Team:  Mario Marchetti, Fabio Zampiero, Giuseppe Cangialosi Collaborators:  Massimo Moretto, Samuela Masier Structural engineer:
 Studio Berizzi Crozzolin Site area: 2,394 sqm Building area: 1,372 sqm Project Year:  2009 Photographs:  Francesco Castagna The building is located near the Sile river just out of the historical walls of Treviso, Veneto region (Italy). It is like an historical Villa inside its garden: the white color is the way to make a good contrast with the gardens around. ground floor plan A big and long white volume with black parts going outside and grey parts sunken inside. This townhouse is composed by 9 apartments on three different levels. The architecture is clearly rationalist and wants to make a dialogue with the ‘900 italian architecture. From every apartment and from the common parts you ever see the riverside giving the feeling to be part of this land.

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Casa sul Sile / mzc archittetura

Architects:  mzc architettura Location:  Treviso, Italy Project Team:  Mario Marchetti, Fabio Zampiero, Giuseppe Cangialosi Collaborators:  Massimo Moretto, Samuela Masier Structural engineer:
 Studio Berizzi Crozzolin Site area: 2,394 sqm Building area: 1,372 sqm Project Year:  2009 Photographs:  Francesco Castagna The building is located near the Sile river just out of the historical walls of Treviso, Veneto region (Italy). It is like an historical Villa inside its garden: the white color is the way to make a good contrast with the gardens around. ground floor plan A big and long white volume with black parts going outside and grey parts sunken inside. This townhouse is composed by 9 apartments on three different levels. The architecture is clearly rationalist and wants to make a dialogue with the ‘900 italian architecture. From every apartment and from the common parts you ever see the riverside giving the feeling to be part of this land.

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Dewan Architects wins first prize in Baghdad competition

Dewan Architects & Engineers have won the first prize for The Competition of Developing the Area Sorrounding the Holy Shrines in Kadhimiya, Baghdad, Iraq. Dewan was shortlisted among ten other international and Iraqi firms to participate in this competition. The project contains the Historical area with the Holy Shrines in the centre and the its surroundings with a radius of 500 m. an area full of historical markets, traditional houses and cultural and religious activities. More images and architect’s description after the break. The main objective of the project was to renew and enhance the function of al-Khadimiya as a very special district of Greater Baghdad, distinguished by the presence of its holy shrines, the character of its historic streets and houses and the vitality of its commercial areas.. These qualities, so typical of historic cities, are closely related to the human scale of the built environment and to pedestrian modes of movement that foster strong social interaction. The sense of place and the cultural identity of al-Khadimiya is reinforced by seasonal religious ceremonies and festivities, when the area receives large numbers of visitors. While it is important to ensure that the urban fabric can cope with exceptional demands during such peak periods, it is equally essential to ensure that it can remain lively and attractive for residents throughout the year. The overriding strategic concern of the Dewan proposal is how to rejuvenate and to adapt the area to contemporary demands – without destroying the spiritual legacy contained in its surviving historic structures and without radically changing the lively mix of functions that is the secret of its success, and it needs to be steered in such a way that the place does not lose its “soul”. The Integrated Conservation and Development Scheme presented by Dewan was intended to materialize the basic idea to conceive the shrine as the innermost “kernel” of the city, enveloped and protected by different urban layers that mediate between the interior and the exterior world and together form a coherent whole. The inner urban layer includes important elements of the historic urban fabric, which will be upgraded, renovated and substituted on plot-by-plot basis according to information to be collected in the future, with the aim of retaining the scale and the main characteristic of historic Baghdad. Other, more peripheral layers introduce contemporary residential structures that cater for modern needs of vehicular accessibility, public facilities and commercial functions. This mix of historic and adapted modern structures, combined with proper landscaping, is intended to provide fresh social and economic impulses to al-Khadimiya and turn it into a model of living and evolving historic city. Examples of such successful urban rehabilitation that combine “old” and “new” exist in a number of historic Arab cities such as Tunis, Fes, Aleppo and Cairo (Darb al-Ahmar).

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The Miner and a Major / The Objectionists

© James O'Meara Architects: The Objectionists / Jim Dreitlein, Serban Ionescu, Justin Smith Location: Brooklyn, NY, USA Collaborators: Narek Gevorgian, Brian Nemeth, David Valdivia, Thorsten Foerster, Eric Juron, Garen Barsegian, Billy Bob Archer, Caitlin Duffy, Rick Weber, Mentor Noci Client: Jim Dreitlein, Serban Ionescu, Justin Smith, Narek Gevorgian Total Area: 667sqft Budget: $4,000 Project year: 2009 Photographs: James O’Meara The Miner and a Major is a free-standing, 5 unit dwelling for 5 architects/designers/artists, in a Brooklyn loft. All rooms/units act like a puzzle through visual portals and physical interlockings with the neighboring room(s). The dwelling was designed and built by Jim Dreitlein, Serban Ionescu and Justin Smith (The Objectionists) with the help of many friends and colleagues. floor plan diagram Resting in a neighborhood with rich naval and ship building history was a major influence in beginning and continually through-out the design process. Many materials were commercially purchased but a guiding design principle was the materials we found or salvaged that influenced an organic and playful growth of the design to evolve towards. Lights were donated by Amerlux and we frequented BIG NYC (Built It Green) for recycled materials. A multitude of sketches was also a key principle to how we designed and built more spontaneously and collaboratively than having a set of already organized drawings. This allowed for more play, mistakes and surprises to influence and guide the design process towards something un-sketched. © James O'Meara © James O'Meara Each room/ unit consists of the most essential and bare minimum: a desk, a bed and storage space. Through small portals and doors the rooms start intersecting themselves spatially, expanding the internal space into the larger surrounding space/host where the dwelling rests in, creating a fine but yet controllable line between what is private and public in a room. Each room/ unit is individually and significantly different from the other, but intertwine to act and perform as one larger unified and autonomous unit/dwelling/community.

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The Miner and a Major / The Objectionists

© James O'Meara Architects: The Objectionists / Jim Dreitlein, Serban Ionescu, Justin Smith Location: Brooklyn, NY, USA Collaborators: Narek Gevorgian, Brian Nemeth, David Valdivia, Thorsten Foerster, Eric Juron, Garen Barsegian, Billy Bob Archer, Caitlin Duffy, Rick Weber, Mentor Noci Client: Jim Dreitlein, Serban Ionescu, Justin Smith, Narek Gevorgian Total Area: 667sqft Budget: $4,000 Project year: 2009 Photographs: James O’Meara The Miner and a Major is a free-standing, 5 unit dwelling for 5 architects/designers/artists, in a Brooklyn loft. All rooms/units act like a puzzle through visual portals and physical interlockings with the neighboring room(s). The dwelling was designed and built by Jim Dreitlein, Serban Ionescu and Justin Smith (The Objectionists) with the help of many friends and colleagues. floor plan diagram Resting in a neighborhood with rich naval and ship building history was a major influence in beginning and continually through-out the design process. Many materials were commercially purchased but a guiding design principle was the materials we found or salvaged that influenced an organic and playful growth of the design to evolve towards. Lights were donated by Amerlux and we frequented BIG NYC (Built It Green) for recycled materials. A multitude of sketches was also a key principle to how we designed and built more spontaneously and collaboratively than having a set of already organized drawings. This allowed for more play, mistakes and surprises to influence and guide the design process towards something un-sketched. © James O'Meara © James O'Meara Each room/ unit consists of the most essential and bare minimum: a desk, a bed and storage space. Through small portals and doors the rooms start intersecting themselves spatially, expanding the internal space into the larger surrounding space/host where the dwelling rests in, creating a fine but yet controllable line between what is private and public in a room. Each room/ unit is individually and significantly different from the other, but intertwine to act and perform as one larger unified and autonomous unit/dwelling/community.

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