Monthly Archives: August 2009

Unique Vessel Sinks – stylish sinks by Amin Design

These stylish sinks by Amin Design border on art, but deliver all the function. These unique vessel sink designs feature unpredictable curves and a sculptural, asymmetrical form, complemented by high-polished chrome faucets and details that bring a touch of high-tech to this minimalist design. Installed as a pair, the Swan vessel sinks will make a beautiful addition to the luxury master ensuite, or as an intriguing focal point in the powder room. Regardless if you appreciate the simplicity of white on white, or enjoy a colorful pop of vibrant color, a unique sink like this is sure to garner a look or two, followed by a touch, and a nod of approval. This stylish sink is truly one-of-a-kind art for the bathroom. Check out these vessel sinks at Amin Design .

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Masdar Sustainable City / LAVA

The future well being of cities around the globe depends on mankind’s ability to develop and integrate sustainable technology. LAVA designed the Masdar City as the city of the future; positioned at the forefront of integrating sustainable technology into modern architectural design. Rome, Athens, Florence; most great historical cities have had the plaza, forum, or square at their epicentre – where the life, values, ideals, and vision of the population evolved. Equally, the centre of Masdar must be an iconic beacon that attracts global attention to sustainable technology. We see Masdar Plaza as “The Oasis of the Future”: a living, breathing, active, adaptive environment; stimulated by the social interaction of people, and spotlighting the use and benefits of sustainable technology. Hence, our design proposal focuses on the delivery of three key issues: Performance – to demonstrate the use and benefits of sustainable technology in a modern, dynamic, iconic architectural environment. Activation – to activate or operate the sustainable technology in accordance with the functional needs of this environment, 24 hours a day, and 365 days of the year. Interaction – to encourage and stimulate a social dynamic where the life, values, ideals, and vision of the population of Masdar evolve. The “Oasis of the Future” is conceived as an open spatial experience, whereby all features; whether hotel, conference, shopping, or leisure, offer the highest quality of indoor and outdoor comfort and interaction. As in the case of an oasis, the Plaza is the social epicentre of Masdar; opening 24-hour access to all public facilities. Interactive, heat sensitive technology activates low intensity lighting in response to pedestrian traffic and mobile phone usage. The Plaza is able to change into an outdoor cinema for international events and national celebrations. Buildings’ surrounding the Plaza form gorges, evoking mystical comparisons with the Grand Canyon and the entrance to Petra. The “Oasis of the Future” demonstrates sustainable technology in a user-friendly architectural environment – flexible use of space, outdoor and indoor comfort, and optimum performance. The user experience is the heart of the “Oasis of the Future”. By analysing the potential pedestrian flows throughout the Plaza and surrounding facilities, the design seeks to accentuate this ‘loop’ of indoor and outdoor user-experiences This ‘loop’ marries the lowest possible energy expenditure to the highest levels of user comfort in correlation to pedestrian flows. The following environmental and engineering design concepts will be utilized to minimize energy consumption: Radiant surfaces Air movement that supplements natural wind patterns Evaporating cooling mist Thermal mass and PCM Slab cooling and Luna Panels Shading of external facades surrounding the Plaza Our sustainable design and engineering philosophy balances the ‘vision of the future’ with ‘scientific fact and availability’. Our aim is to provide the Abu Dhabi Energy Company with the lowest possible carbon footprint, whilst maintaining the highest level of user experience within the practical viability of affordable architecture. Our engineering specialists have analysed each component of potential energy expenditure and investigated individual efficiencies in order to reduce the carbon footprint. Even the façade of the buildings surrounding the Plaza will incorporate long-life, loose-fit structural design to enable flexible future planning and reconfiguration opportunities. Switching and sensors will activate and deactivate features and functions in correlation with usage and pedestrian flow. All front and back of house functions within the Hotel and Convention Centre will capture sustainability of water, waste, materials, indoor and outdoor environmental quality In fact, our proposal strives to exceed those of the Masterplan and is, in addition, benchmarked against Estidama and LEED (Platinum). Adaptive cooling provides all facilities with extended usability during peak heat loads. Our ‘Petals from Heaven’ feature interactive umbrellas that open, provide shade, and capture energy during daylight hours; folding at night to release stored heat. Solar analysis provides insight into the tuning of facades in order to incorporate an ability to respond to varying sun angles and levels of solar intensity. The Oasis of the Future is a living, breathing habitat. The ability to control ambient temperature at all times of the day is the key to making the Plaza a compulsive destination. The gorges pull inhabitants into the loop. The ‘Petals from Heaven’ open and close; protect pedestrians from the sun; capture, store, and release heat; adjust the angle of shade based on the position of the sun. The heat sensitive lamps adjust the level of lighting to the proximity of pedestrians. The water features ebb and flow based on the intensity of ground temperatures. The promenades lure pedestrians into the shopping and leisure facilities. Similarly, the public are seduced into the Plaza during cooler night hours and cooler months of the year. Our 5 Star Hotel is organised efficiently around a ‘Central Canyon’ and is linked to the Extended Stay Facilities via a ‘gorge’ housing Retail premises. The Central Canyon is a day-lit space deep within the building, connecting the hotel’s restaurants and ballrooms to the guest amenities. The hotel’s entrance and lobby, located at the base of the atrium, offers guests an immediate view out onto the Plaza in one direction and the green of the park in another. The western edge of the Plaza rises to create the Convention Centre forecourt and ascends as a continuous path into the Lobby area. Our design of the Convention Centre Lobby resembles an enormous, light-soaked cavern, providing an enclosure for the conference facilities with the Plaza framed in the background. The awe-inspiring ‘erosion-effect’ design of the façade that flows across this edge of the Plaza is complemented by water features and also houses the sub-podium PRT and Retail concessions. This spectacular conference facility, with its gigantic cavern atmosphere, will leave a lasting impression on all visitors. ‘Masdar Plaza, The Oasis of the Future’ will create an iconic venue within a truly visionary city. ‘Masdar Plaza, The Oasis of the Future’ incorporates the highest level of knowledge and expertise in science, technology, and construction methodology, globally. It is an intellectual balance between iconic architectural identity, cutting edge sustainable design and technology.

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Digital Basin Mixer – new v-touch mixer with a touch-pad by Vado

The latest and greatest from U.K.-based company Vado is this modern, digital basin mixer, which fittingly mixes not just your water temperatures, but combines innovation, modern technology and sleek style into one must-have product for the home. The new v-touch mixer lets you control water flow and temperature using a touch-pad. The digital display features the subtle glow of red and blue dots, indicating how warm or cool the water is. But the cool factor doesn’t end there – probably the most striking feature about this digital basin mixer is its look. Pleasing to look at and to feel, this sleek, smooth design brings excitement to all the senses. The slim lines of this mixer bring a minimalist, high-tech look, complemented by a white body and a matte-black spout. To learn more about this digital mixer, visit Vado .

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The Michael Hill Clubhouse / Patterson Associates

Location: Wakatipu Basin, New Zealand Client: The Hills Trust Architect: Patterson Associates Limited Area: 1.200sqm Year: 2007 Budget: Confidential Project Manager: Douglas Consulting Structural Engineer: Tyndall & Hanham Mechanical Engineer: Professional Building Services Electrical Engineer: Pedersen Read Landscape Architect: Darby Partners Quantity Surveyor: Ian Harrison and Associates Contractor: RBJ Limited Photography: Simon Devitt, Matthew Williams The brief articulated the client’s desire for a place that reinforced the game of golf, operating primarily as a “private box”, but with the capacity to transform into a gateway headquarters for large competitive events. New Zealanders’ identity is defined by landscape, and our cultural heritage is depicted in Maori mythology as a people borne of the land and the sky. This is the cultural view of the Science of geology and tectonic uplift. Hunkered into the earth with less than a third of its volume penetrating above the ground plane, The Michael Hill Clubhouse seeks to integrate and intensify the experience of golf’s primary relationship with the landscape. An integral truss system creates a skewed form, and supports a green roof planted in native tussock. Systems of energy, water, waste, and climate control are almost entirely contained on the site. An even greater environmental contribution is the building’s strategy in sustaining the qualities of the alpine landscape. The Clubhouse seeks to integrate with the panoramic vista, rather than form a node on it. A skewed trapezoid geometry operates as three-dimensional spatial building blocks to define the volumes within the building, and the building within the landscape. This pattern is repeated across all scales, weaving the building into a three-dimensional matrix. Inside, a glass-reinforced concrete panel ceiling, with integrated heating and acoustic design, hovers above white dimpled textured aluminium forms. The main bar and dining space is an intimate light-filled grandstand overlooking the 18th green. Buried further back into the ground are service areas, workshops, and cart storage. A large private gym is flanked by a reflecting pond, where you can exercise before being massaged in one of the two bespoke colour therapy rooms making up the spa. The design creates a model of its environment, both cultural and physical. In doing so the building seeks to become a pattern within the environment, amplifying and reinforcing the relationships between player, game, and land.

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Toy fanatic builds a house from LEGO

I guess you could build a house with practically any material. But I never thought you could actually build one from LEGO pieces. So James May, a toy fanatic from the UK surprised me, by building a real house from one of my favorite toys as a child. The two-story Lego palace is located in the middle of a vineyard and has a working bathroom. James used bricks pieced together by 272 Legos. Over three million bricks were used so that’s about 816 million Lego pieces. Quite an amazing job. Seen at Geeksugar . More images after the break.

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IPAC / Sander Architects

Sander Architects was awarded first place with their design for the IPAC, a new performing arts center for Idyllwild Arts Academy, one of the country’s top three feeder high schools for the arts.  Situated in the mountains outside Los Angeles, the IPAC rests on one side of the site, with the empty space forming a “new green quad at the heart of campus”. More about the IPAC after the break. The design includes a curved roof plane that is accessible from both sides as it gently slopes to meet the grade level.  People using the Concert Hall and Theater Fly Tower will “penetrate through this curved roof plane which will be sheathed in rusted cor-ten panels.” The walkable roof will be landscaped with drought-tolerant greenery and provide additional seating for concerts.  When movies are projected onto the Theater Fly Tower, the roof will provide an outdoor movie theater viewing area.  The panel designs are inspired by the foliage in the area. The building demonstrates  Sander Architects’ “hybrid-construction concept”, which uses recycled light-gauge metal building components that will be manufactured off-site using computer-controlled processes.  By using this construction method, Sander Architects has greatly reduced the cost of previous projects, and estimates that this proposal will be 30% below the budget. Schematic design is schedule to be completed in October, and construction should start in mid-2010.

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Mark Magazine + ArchDaily subscription giveaway: The winners

As announced, we closed the form to enter the competition on August 28th, 11:59AM  and we used Random.org to choose the 2 winners (and 2 finalists in case the winners don´t answer the e-mail I just sent to them to confirm their info). After removing duplicate/invalid submissions, there were a total of 2,947 entries. We randomly picked 4 numbers between 1-2947  via Random.org and we proceeded to reveal their names from the Excel spreadsheet containing all the entries. We recorded all the process with Screenr so you can witness the whole process. We´d like to congratulate Jaime Rovira (Chicago, IL) and Rokas (Lithuania), winners of 1 yearly subscription to Mark Magazine . Stay tuned, we have more surprises for our readers coming in the near future.

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Commuter Cuts Carbon, Calories With Gorgeous Treehouse Office

Here’s a great way to cut the carbon and the calories at the same time. Work at home to cut the carbon of the commute, and build your home-office in a treehouse to climb up into, to cut those calories! Peter Frazier , a customer experience consultant, had put on fifty pounds from working in an office, and was getting fed up. Finally he decided after years of gaining weight with the typical sedentary lifestyle, to make a radical change. He built his own very simple treehouse office in the woods, complete with green roof on top. To justify the building expense, he designed it to do double duty as a guest bedroom as well. Sited as it is in the forest overlooking Chuckanut Bay in Washington, it is, as he says:  “a guest house that keeps ‘em coming back, and an inspired meditation room.” As he puts it, his motivation was: “Like many in the computer industry, I graduated from college thin and fit, but since then, through years of all-nighters, sitting in front of my screen for long hours, and a rich diet I became overweight. I went from 190 to 242 pounds as I grew into each role: graphic designer, user interface designer, customer experience researcher, businessperson, husband, father, and community member. Last Fall I said, “Enough already!” Recently I decided that working standing up would help me live a more active life. It’s worked. Along with meditating, running, hiking, and kayaking, working standing up (with hourly interludes of push-ups, sit-ups or yoga) I’ve dropped 30 pounds. My thinking is clearer for longer and you’re more likely to find me with things in perspective.” Although it is a treehouse, this freestanding office is actually downhill from his house, sited so that it is part of the view from his living room. So he put a green roof on top to make it blend in beautifully into the forest, as well as to help keep the indoor climate temperate, summer and winter. What a terrific office! + Peter Frazier’s Flickr Stream Via habitat This is a post from Home Design Find Commuter Cuts Carbon, Calories With Gorgeous Treehouse Office

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FZA Atelier / Frederico Zanelato Arquitetos

© Bebete Viégas Architects: Frederico Zanelato , Fernanda Kano and Regina Sesoko Location: Mogi das Cruzes, São Paulo, Brazil Structure: Wladimir Polimeno Site Area: 1000 m2 Constructed Area: 70 m2 Project Year: 2009 Photography: Bebete Viégas In the middle of Serra do Itapeti in the city of Mogi das Cruzes, it was chosen the site for construction of the architecture studio. The irregular land with many trees oriented the occupation so that the natural soil profile wasn’t changed and didn’t required removal of the original trees. Trying to use simple materials, low cost, which didn’t requires labor expertise but yet resulting in a consistent work prepared from the application of these material. The block of 8×8m landing on the ground, supported by four pilots. It was applied on the plaster lath the external area was painted in black and the internal in white. The water box, which houses the toilet and d the crown, is the vertical element attached to the main part, coated externally by thick an chapisco painted in white, and inside by later plaster in black paint. © Bebete Viégas The wooden footbridge is the access, the south facade is composed by four panels made of demolition boards of various widths and the fireplace volume concrete slat, besides the volume of the water box. The east side, facing the forest is composed by glass frames which opens the studio to the landscape. The elements of concrete cast up the other two walls. For the floor it was chosen burned cement, with strips of Ipe forming a drawing and working as an expansion detail. The roof is made of thermo-acoustic metal tiles painted in white, lighting the internal space even more. © Bebete Viégas From the beginning the natural environment of the area was the decisive paint to implement the studio with less interference as possible, applying solutions and simple finishing but with sophisticated aesthetics, demonstrating in concrete terms the concept used in all the works produced by the studio. © Bebete Viégas © Bebete Viégas © Bebete Viégas © Bebete Viégas © Bebete Viégas © Bebete Viégas Northwest Elevation Southeast Elevation Northeast Elevation

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Watch Not On My Wrist

I’d much rather wear sweatbands than a watch on my wrist while playing a sport; hence this concept watch by Max Germano makes perfect sense. It fits across the back-of-the-palm and its selling points are easy access to the dial, and a clear view to the heart-rate, stats etc. The flip-side is that it could compromise the grip of the racket or whatever it is that you are holding as the straps may interfere. However, since the watchband is made from super-soft elastomer, it just may-be comfy….I’m on the fence. Designer: Max Germano

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The Amazing Expander Bike!

It’s called the “Kilobike” and it’s totally magical. You can tell em I told you so. It’s designed to “expand the identity and usage of today’s kids bikes.” Made for Seed, designers at Kilo Design made this a bike to remember. If you’re from a bike family, even if you were the only one in your family to own a bike, you remember having to upgrade to a big-kid bike. It was a sad day, but no more! This bike has the capability to expand along the years 6 to 12 years, multiple settings. Made to provide ergonomically correct conditions and “good outlook at all stages.” Goodness! I love the blue tires the most. I had a bike with big fat red tires, it was called “The Wave.” I missed it so much that I got a BMX bike, and that’s all I ride. Designer: Kilo Design

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Here’s a Hook Right Here

Here’s the “Here Hook!” It’s an arrow, basically just pointing to the general area of itself. It’s a coat hook. It knows exactly where you’d be precisely in the area of cool if you want to hang up your jacket. Or hat! This thang is designed by the very well-spoken Richard Shed whom we’ve also got a knicked short interview of – come on and take a look right here! Just a bit of cleverness made in the key of timelessness. Lacquered medium-density fibreboard Wall mounted hook for any sort of medium-weight object made of a material that hangs well. Take a peek at the video of Richard Shed below. It’s not brand new, (it’s a month old,) but due to the simplicity of the question and the answer, it could just as well have been filmed today! Designer: Richard Shed

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Camcorder In My Palm Is Good For Left And Right Handers

Yes, the form of the camcorders has certainly toned down, but the Pioneer Hi-def seen here takes the cake. It’s palm-sized, high-def, has a lens that pivots up and down with a display that is fixed at an ideal angle. What’s nice is that the form is symmetrical, so that both lefties and right-handers can use it conveniently. And since most of the controls are accessed via the touchscreen, they come alive only when required. Designers: Dan Harden, Sam Benavidez & Hiro Teranishi for Whipsaw Inc.

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Turkish Sofas – oversized sofa sets by Laurameroni

Sit back and relax – that’s what these oversized sofa sets were made for! The Alto Piano is the new range of Turkish sofas by Italian company Laurameroni, designed for comfort. But in true European fashion, the style factor doesn’t go by the wayside. A low, wide profile and clean, contemporary lines define these oversized sofas and armchairs. Tight-fitting leather or fabric upholstery gives the collection an elegant look, and square legs keep it simple. Sofas are offered in two-and three-seater designs, and matching armchairs also boast the double-depth pouf. Make your living room or den the ultimate in luxury and comfort with these comfy furniture must-haves. For more info on these cute Turkish-style sofa and chairs, visit Laurameroni .

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Funchal 05 House / Paulo David + Luz Ramalho

© Leonardo Finotti Location: Neves – Funchal, Madeira, Portugal Architect: Paulo David + Luz Ramalho Structure: Mário Rui Electrical: Fernando Sousa Pereira Plumbing: Marco Coelho Project: 2002 Construction: 2006 Photography: Leonardo Finotti © Leonardo Finotti The orthogonal and abstract form contrasts with the irregular shape of the plot, which becomes a plateau. This encourages the observation and reiterates that in this island it is important to gaze out to sea. The section through the building sets up a dialog with the base rock, and this is reinforced by a slot in the upper floor that fragments the volume, creating two “bulges” resting on the main box that organises all the spatial functions and relationships in the house. © Leonardo Finotti The area that is at the same level as the plateau defines the living space. It sets up “bridges” which extend living areas to the outside. A central body including the kitchen, bathroom services, storage and vertical access to the bedrooms defines the circulation system. The living room is in the void that this body creates. © Leonardo Finotti The two “bulges” contain spaces for sleeping and are connected by a glazed volume. They have the character of watchtowers, and their openings frame fragments of what is largely a seascape. The glazed circulation space of the upper floor and the link from the kitchen to the exterior are of materials that contrast with the roughness of the rest of the house. © Leonardo Finotti The rough skin over the exterior combines a bonding agent with the selected and sorted basalt particles and this makes it black. The chromatic uniformity is continued on the roof where volcanic ash is used. Inside the aim was always austerity, using very few materials. Most surfaces are flat and white, contrasting with the external skin and allowing light inside the house.

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