Monthly Archives: July 2009

Spoon Sink – modern bathroom sinks by Philip Watts Design

With an unlikely inspiration, the Spoon Sink by Philip Watts Design is making a modern splash in contemporary bathrooms. In the wake of Watts’ super-successful Spoon Urinal, the Spoon Sink imitates that same signature deep-teardrop design in its basin, extending the smooth, sleek basin all the way to the bathroom or powder room floor. Executed in strong solid cast resin, this durable and delectable sink design allows the option of a wall-mounted tap or a mixer tap to complement its modern appeal. It gets top marks for its innovative and creative design, and you just want to eat the stylish Spoon Sink up with, well… a spoon! This modern bathroom sink is available at a retail price of £678.50. For details visit Philip Watts Design .

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Brazil Contemporary – Contemporary art, architecture, visual culture and design

Three Rotterdam museums – Museum Boijmans Van Beuningen, the Netherlands Architecture Institute and Nederlands Fotomuseum – are bringing the rich culture of Brazil to the city on the Maas. Brazil Contemporary is running since 30 May until 23 August 2009. Brazil is inspiring, astounding, amazing. It is one of the largest countries in the world, with vast cities of millions of inhabitants that defy the imagination. Brazil is also developing at breakneck speed and is one of the economic giants of the future. But Brazil has its downside too: the depletion of the rainforest, the enormous contrast between rich and poor, the favelas. These phenomena are culturally reflected in an exciting cocktail of high and low art, of street art and politically committed art, and of different art disciplines and traditional craftsmanship. Brazilian culture will go to your head. After the success of China Contemporary (2006), the museums have decided to join forces again to focus on a country that has emerged as a global player in economic, social and cultural terms within a short period. Brazil Contemporary presents a broad panorama of Brazilian culture and introduces the public to young Brazilian artists, architects and designers. Exhibitions – Museum Boijmans Van Beuningen presents a dazzling survey of the unique art of Brazil. The work of Hélio Oiticica (1937-1980) occupies pride of place. Oiticica considered that Brazil should not just passively undergo and imitate Western influences, but that artists should transmute these influences into a uniquely Brazilian culture. The exhibition shows to what extent today’s artists are still under the influence of Oiticica, with works by Rivane Neuenschwander, Iran do Esperito Santo, Ernesto Neto, Lucia Koch, Ricardo Bassbaum, Renate Lucas and others. 30 May to 23 August 2009 – The Netherlands Architecture Institute introduces the public to one of the biggest cities in the world: São Paulo. With its melting pot of cultures and identities, São Paulo is the reflection of contemporary Brazil. The exhibition introduces visitors to the mind-boggling size, the social structures and the cohesive forces of this metropolis. There are three intertwining narrative threads. First is the story of a vast city with millions of inhabitants. Then there is the story about life in the city – neighbourhoods, communities and well-known architecture projects by Oscar Niemeyer, Lina Bo Bardi, Paulo Mendes da Rocha and others. And finally there is the story of the Paulistanos, the residents of São Paulo, and their dreams for the city. 30 May to 23 August 2009 – Nederlands Fotomuseum zooms in on the rapidly changing Brazilian visual culture with its mixture of high and low, élitist and populist, artistic and applied. The exhibition shows not only photography, but also other old and new media, television and internet, with an excursus on fashion and design. 30 May to 27 September 2009 More info: http://www.brazilcontemporary.nl/en/

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AD Round Up: Houses in Brazil

Brazilian architects have always surprised us with their architecture. You can see some creative houses from Brazil previously featured on AD with this last Round Up of the month! Joanopolis House / UNA Arquitetos The house was designed for friends who used to visit Carambó, a farm two kilometers away where we built a pavilion in 2002. The region is located at the foot of the one thousand feet high Mantiqueira Mountain, on the border of São Paulo and Minas Gerais states. The condominium is located along the banks of Piracaia Lake which belongs to the water supply system of the capital (read more…) Osler House / Marcio Kogan In front of the entrance of the Osler House, located in Brasilia, there is a panel of tiles by the artist Athos Bulcão, designed especially for this wall. Dozens of buildings in Brasilia have panels by Athos, among them are: Planalto Palace, Itamaraty and the National Theater, all by Niemeyer. The artist’s modular tiles are an outstanding feature incorporated into the modern architecture (read more…) Rio de Janeiro Residence / TAMABI Two basic principles guided our project for the construction of a new penthouse foor to house a single 234-square-meter apartment, located at the base of the Corcovado Mountain in Rio de Janeiro’s forested Jardim Botânico neighborhood. The first was a demand for an open space with the least possible amount of internal subdivisions, with the intent to provide good cross ventilation (read more…) Bento Golçalves House / Studio Paralelo The house is located in the city of Bento Gonçalves, mountain region of Rio Grande do Sul – Brazil, in an area that originally was part of a rural site. The proposal was developed for a couple that will receive, eventually, its three children. The land, almost a square, 32 x 30 meters has flat topography broken by a smooth declivity in the North limit. Next to that natural irregularity, a set of araucarias trees (read more…) Carapicuiba house / Angelo Bucci & Alvaro Puntoni The most remarkable feature of the site where the house is located is its depression, in topographical terms. From the street, we cannot clearly see its ground level because the ground surface falls abruptly into a little valley and woods: a stage 6 m below. The program joins two different purposes: a house and an office, it is a place to both live and work. Although these two functions share the same space, it is as separate as possible (read more…)

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National Tecnical Library in Prague / Projektil Architekti

Architects: Projektil architekti / Roman Brychta, Adam Halíř, Ondřej Hofmeister, Petr Lešek Location: Prague, Czech Republic Client: Státní technická knihovna, Ministerstvo školství, mládeže a tělovýchovy Interior Collaborators: Hipposdesign, R.Babák, O.Tobola General Contractor: Sdružení Metrostav a.s., OHL ŽS a.s. Site area: 11,740 sqm Constructed area: 51,434 sqm Planning year: 2004-2006 Project year: 2006-2009 Phorographs: Andrea Lhotakova The idea of the new technical library is quite old and started in the 90’s. The architectural competition took place in 2000. The investor is the ministry of education on behalf of the State technical library. Our design got 1st prize among approximately 50 proposals. There wasn’t any second prize and, instead there were three third prizes. Afterwards, there was a time gap till the year 2004 in which the ministry of education chose to sponsor another competition to decide who would continue in the building design. After the plans where finished in 2006 the developer Sekyra Group was chosen to construct in a PPP like program. The real building contractor was then the partnership Metrostav – OHLŽS. Building construction started in the year 2006 and was finished in January 2009. Currently books are being moved in. There are more sources of the architectural concept of the building. Firstly there is a spatial context influence which involves the historical urbanistic plans for the whole area as well as its present significance. Secondly the concept is our answer to the idea of the institution and especially to the role of the library in today’s society. That is why on the groundfloor there is a minimum of the library itself unlike all the complementary services such as the cafeteria, exhibition hall and congress hall. Next the chosen shape and material should resolve one of crucial question of how to be modern and monumental at the same time. And, what is important, the building from the very beginning was formed to be energy saving one and the shape show it clearly. Part of the concept is as well the use of the area around the building – social space on the west and a green park on the east. Finally, the building was designed to include the interior and the graphic design following the concept “the technological schoolbook”, so a lot of things (for example installations) are knowingly shown for better understanding how the building was designed and functions. section The building has three underground and six aboveground floors. Underground there is book storage, technology, supply and a parking lot. On the ground floor and the second floor there is the main entry to the library and all complementary facilities – conference hall, exhibition hall, cafeteria, bookshop and cloak room. All of them are around the entry hall which is the main place for meeting people not just from the library but from the whole university campus. That is the reason why the building has not one but four entrances to all sides. The idea was to give to the campus, not just a library, but a needed public place as well; where all the students could meet together. The entry hall doubles as a square for bad weather days (in summer the campus is empty). Additionally, there is a night study room on the ground floor so the building can provide the 24 hour service without needing to open all the building during the night. In the middle of the groundfloor is the entrance to the library and first info desk. The visitors then follow up to the second floor and the atrium hall with the main desk. The atrium is naturally lit through the skylight and it is the main space of the whole building. Then the library floors follow from third to sixth. The setup is similar. On the north side of the floor there is the administration section. In the public part there are the study places and study rooms of different sizes next to the façade, followed by book shelves in the darker part of the floor and finally an info desk and other study places around the atrium with natural light. This plot mirrors not just the natural light level in different parts but also helps to distribute the warm gain from the sun and to differentiate acoustic demands. For administration the open space-system is used. Each floor is a little different but the main orientation points remain. More differences are found in the last floor where two open atriums give the chance to read under the sky, and is also where individual study rooms for rent are located. In construction of the building many interesting technological solutions were used. Some of them help the flexibility, the others help save on energy demands. The construction itself used columns in a 15 meter grid with, in both directions, pre-stress concrete slabs. The statics deflation diagram for floorslabs pre-stressing was used for designing the floor, so you can imagine how the strength in the construction goes. The concrete corn activation system is used for the heating and cooling. There are plastic pipes directly in construction slabs with a medium whose temperature is changing according to demands during the year. This system perfectly suits the open space of the library. In addition, there is an easy system for pre-cooling the building during summer nights just by natural ventilation via opening windows. The main façade is divided into glass and blind parts on the surface in a ratio near to 50/50% in order to optimize the amount of heat energy. Recuperation of air and sun blinds are standard solutions, here thanks to an external double façade, wherein the sun blinds are sheltered from the wind. For the surface of the ground floor an asphalt-based floor covering material (bitu-terrazzo) was used. It significantly reduces noise levels in the building. The fire prevention system is an automatic water mist-spraying fire extinguishing system which is more property/asset-protective, plus it does not require a large-capacity storage vessel. The roof is covered with extensive green to create the fifth façade of the building for views from surrounding higher buildings. It also slows down draining in case of heavy rain. The interior is very open and friendly to express the openness and friendliness of the contemporary institution. The main elements are the power-colored floor and the orientation of all lighting which point to the very middle point of the building. In every room you are sure about your position. Some furniture was developed especially for the library to give visitors a free-minded feeling. They are movable so the students can build their own constellations from them. The main principle of interior design is about collaboartion and reciprocal influence. The important parts of the interior are the graphic design, which follows the technical schoolbook concept, and the art. We invited an art curator with the group PAS (production of contemporary activities) to prepare an art scheme for whole building. From the big scheme only the central artwork remains because of the lack of money. There was an international competition for this job and the famous artist Dan Perjovschi won. So now you can see an elaboration of his ideas from MoMa in New York. The National Technical Library will be ceremonially opened on September 9(th), 2009. Library users will have access to over 1,200 seats in study areas and 300 seats in relaxation areas. It is estimated that the library stores about 1.2 million volumes. There will also be an exhibition hall, a conference hall with 200 seats, a cafe with 150 seats, WiFi internet access throughout the building, parking for 300 cars and stands for 200 bicycles. It is expected that the new library will draw up to 900,000 visitors every year.

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Luxembourg Pavillion for Shanghai Expo 2010

The idea “forest and fortress” comes from the literal meaning of the Chinese term for Luxembourg. The pavilion, built from steel, wood and glass, will be an open fortress around with greenery. The 15-meter-high main structure will resemble an ancient castle with large openings surrounded by medieval towers, “All the materials are recyclable,” said the architect of the pavilion, Francois Valentiny . Also, the outside walls will be translucent, on which Chinese characters will be shown. The exhibition area of the pavilion is about 1,300 square meters. The downstairs hall will stage a satellite video show displaying live scenes from the country. “Visitors will be able to talk with Luxembourg people through satellite. And we will bring live programs of Luxembourg events here,” said Jeannot Krecke, the country’s Minister of the Economy and Foreign Trade. Seen at Archtracker . More images after the break.

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Can A Tiny Company Compete With A Huge One?

I spent the first sixteen years of my career working for Polaroid Corporation starting out as a design engineer. It was one of the most progressive and technology-aware companies of the time. It was a wonderful place to develop a strong foundation, working with smart people, strong support and plenty of money to do things right. I had access to designers, quality and manufacturing experts, patent attorneys, model shops and market research, not to mention a great brand name and the excellent benefits that provided lots of stability. When I moved to Silicon Valley and went to work for a number of small startups my first reaction was wondering how these tiny companies had any chance of competing with large companies with resources such as Polaroid. But after working for and as a consultant with dozens of companies large and small, my opinion has changed radically. I now believe an entrepreneur with a small team can often compete successfully against a huge corporation. Why? In these times where innovation and fast-to-market are paramount, employees in many large companies are still risk-adverse. They value stability, and not rocking the boat. That’s what the companies value and those traits often permeate the company. Those that buck the system are often thought of as troublemakers, not valued for their independence, and wanting to do things in a different way and eventually leave. As a result, there are fewer long time employees at large companies that are highly entrepreneurial. Of course there are exceptions. I’ve seen a few people in large companies become a strong product champion, put together a team on their own initiative to do what they thought needed to be done without asking for permission – just like working as a small company! Some companies now go out of the way to encourage this, setting up special teams and clear the way for important initiatives. But it’s uncommon. Large companies tend to be less successful in creating breakthrough products or even products that might compete with their existing ones. The thinking is that would cannibalize their own line, not thinking that it would be worse for a competitor to do it. That happened with Polaroid and almost with Kodak with the invention of digital imaging. Large companies often develop silos with members vested in the perpetuation of their products or divisions They don’t think of what’s best for the company, they think of what’s best for their silo and their own career. I’ve seen some organizations try to derail others in their company working on a product that competes with theirs. Sometimes they forget who the competition is. The best type of organization to get a product from concept to the consumer is a small, focused team made up of diverse skills. But most large organizations are organized functionally, making it difficult to move quickly, create a small team, and delegate decision making to it. Large companies often prefer to not take risks, because failing is embarrassing to them. It creates news, requires a PR effort to counter it, and puts management at risk. The financial market is still focused on quarterly profits and when there’s a stumble at a big company it makes big news. But in fairness, large companies sometimes need to be more careful and methodical in making decisions. They’re more susceptible to being sued by employees and outsiders, are responsible for the behavior of all of their employees, and are protective of a brand that may have taken decades to build up. That’s why they’ve developed policies and procedures, created HR and legal departments. But when someone wants to take on a risky project to bring a product from concept to market quickly, they need to cut through this bureaucracy. Roadblocks suddenly appear everywhere from those parts of the organization that want to take the more methodical approach. Small companies, on the other hand, are much more flexible. They can turn on a dime, reorganize, hire, fire and make decisions in hours and not require the escalation required in large ones. Small organizations are more likely to think out of the box. If one thing doesn’t work they’ll try something else. They are not fighting the established ways of doing things that large companies often have institutionalized. One of the biggest advantages large companies have is access to the sales and distribution channels. That can be huge. But small companies can sometimes tap into these by using the large companies to sell their product. Small companies can also make use of the increasing ability to sell over the Web where they can be nearly as effective as large corporations. So the bottom line is not to be intimidated by being a lone entrepreneur or a small organization. You may wish you could have the resources of a huge corporation, but be careful what you wish for! Editorial: Phil Baker Phil Baker is a product development consultant in Solana Beach, CA. He’s worked for numerous product companies including Polaroid, Apple, and Seiko. He’s an Ernst and Young Entrepreneur of the Year, holds 30 patents, a technology columnist for the San Diego Transcript and author of “From Concept to Consumer: How to turn ideas into money”. His blog is www.philbakersblog.com and his email is pbaker@gmail.com.

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Creative Arts Center / Diller Scofidio + Renfro

Diller Scofidio + Renfro Diller Scofidio + Renfro ’s Creative Arts Center for the Brown University campus is slated for completion in 2010.  The new 36,000 square foot center will include a 200 seat recital hall, 35mm screening facility, recording studio, multimedia lab, gallery space and large multi-purpose production studios. More about the Arts Center and more images after the break. Three uninterrupted floor plates provide spacious interiors for the center’s varying programmatic elements. A loft condition occurs as the major floor plates are cut along a sheer line and displaced in sections.  The misalignment allows the spatial conditions to overlap and structurally, the placement allows the floors to interface two others, conjoined by a glass wall. At the ground level of the center, the landscape is inclined toward the lobby entrance and partially descends along the rake of the recital hall.  This space welcomes students and passersby, inviting all to enjoy an outdoor theatre. As seen on  designboom .  Image courtesy of Diller Scofidio + Renfro.

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Plastic Protection, BodyGuardz Review

Conscientious buyers are protective of their electronic gadgets, literally. I recently went on a friendly tirade about how ugly most protective coverings are. The only alternative as of now are from company’s like BodyGuardz who make scratch-proof resistant skins for all your electronic goodies. I asked to review the skin designed for the Nintendo DSlite. I figure the device’s deceivingly simple geometry would provide a better test subject. Just like other clear plastic skins on the market, you get a kit; carefully die-cut sheets for every side of the Nintendo DSlite. Installation is a bit scary for the uninitiated because you do use spray glue and any floating particles nearby become mortal enemies. Steady hands are a must and messing up even in the slightest will force you to start all over. Carefully clean the Nintendo DSlite so it’s free of dust and smudges. Take the glue which comes in a fine mist spray bottle and spray it all over your hands. Carefully peel off one of the sheets and spray both sides. Line it up and apply slowly. Use the supplied squeegee to push all the air bubbles out. Let it set for a few minutes before you start on the next section. A tip I have is to keep your hands soaked in the liquid. Trust me, it evaporates quickly and will help from trapping dust. The softly rounded corners provid a small challenge. Another tip is to wait a few minutes for the sheet to dry out and become tacky, then carefully roll it over the edges. The geometry of the Nintendo DSlite is pretty simple up top and sides. It is the bottom where things get tricky. The die-cut sheet looks more like a puzzle with openings for screws, the stylus pen and battery cover. You have to be really carefully and go slow. I must have tried 4 times before I realized my sheet didn’t exactly match the bottom of my DSlite. It was about 1 millimeter off, barely noticeable but definitely enough to annoy me to try again and again and again. The great thing is you can hardly tell there’s a skin on after it dries crystal clear. You would have to get in pretty close with a macro lens to even see where some of the die-cut work went. The bottom is a differently story. That 1 millimeter offset really makes a difference. You can clearly (no pun) see the bottom is not as seamless as the top. For me the two screens are the most important since they get the most abuse and thankfully the supplied sheets fit them to a tee. After a week’s use, the skin hasn’t peeled or discolored despite being tossed everywhere from the inside of my pocket to my bag. Tho installation was a bit complicated I’m glad I did it and would recommend this product to anyone looking for basic protection. The last thing I wanted was bulk so BodyGuardz are the perfect solution. They make skins for everything from phones to cameras too. Go check it out and let me know if you buy one. What we loved: Not as messy as other clear skins Crystal clear Can easily peel off and try again We could be improved: The bottom sheet for the Nintendo DSlite is slightly off around the battery cover $24.95 is pricey, especially in this economy Designer: BodyGuardz [ Buy it here ]

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Fresh Orange Juice Anyone?

You will agree with me, when I say that a glass of freshly-squeezed orange juice tastes better than the packaged one. Altho I do understand that we get lazy to do manual stuff! However, take a look at the Zest; a practical solution for an everyday squeeze. It’s not an electrical one, but the use of a wooden lid (which also doubles up as cutting board) for covering the juicer when not in use, is clever. Designer: Pierre Schwenke

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Time Your Light

Timer To Light is this really cute LED light concept that is based on mechanical energy. Rotate the timer base to crank up the mechanism inside, and as it slowly unwinds, the stored energy powers the lamp. I can foresee it becoming a hit with people who adore lighting candles, coz this seems to have a similar ambient effect. It would be safer and economical too. Awesome colors too! Designer: Jasper Hou

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Branch Bank in Hettingen/ Ecker Architekten

Architects: Ecker Architekten Location: Heidelberg, Germany Client: Sparkasse Neckartal-Odenwald Construction Area: 100 sqm Project year: 2006-2007 Photographs:  Constantin Mayer, Köln A new glass banking pavilion for Hettingen signals an investment in the future of the community. The transparency of the façade invites bank clientele while confidently demonstrating state-of-the-art security measures. The modern building contrasts markedly with the surrounding residential zone of traditional houses and gardens. Hand-polished aluminum curtain walls suspend glass panes of 3.7 meters in height. The flat roof edge conceals exterior sun-shades. The timeless, modern appearance extends through the building interiors. A free-standing cabinet wall conceals all of the technical functions of the bank, and gives character to the spaces for customer service and private transactions. The building is supported by six cruciform columns, and lighting, cooling and security monitoring devices are concealed in a plenum above a ceiling of fine aluminum louvers. With this new building, the bank has re-established its presence in this traditional town with a decidedly modern architecture.

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The Power Of White

I want a car that’s sporty yet contemporary; elegant yet extravagant, chic yet rugged. I think I want the White Vapor; but then again maybe not. The front fender reminds me of my husband’s old shaver, but Oliver says he’s rounded it to prevent pedestrians from injuries. Point noted Mr. May. Following a “puristic sports car layout” expect no doors or roof and a twin cockpit. The choice of a right or left steering wheel setting is possible, making it suitable for US and European roads. The car tires appear to be slim silhouetted due to a “shorter sidewall height, a larger wheel diameter and a fine line between the rim and the tire’s carcass.” The chassis is constructed out of lightweight aluminum and carbon to keep the car light and fuel efficient. Suitable to be equipped with “in-wheel drive” for each tire, the car design touts the eco-friendly tag by including hybrid/fuel cell propulsion to guarantee zero emissions. Designer: Oliver May

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Sightstick for the Blind

This is no mere cane, all ye adventurers, this is a stick to make the blind see! Utilizing GPS technology, the “Visionplus” interacts with the user through audio and tactile means through the stick. Working with RFID Tag technology, the stick bookmarks specific locations and provides the user critical information. Visionplus is one-hand controlled, improved over its predecessors in mobility, usability, and safety. Sight not guaranteed! This is VERY similar to the Geo-tagging stick I wrote about on Yanko some weeks ago; the big difference is that this one’s for the sightless. The Visionplus has walking mode and vehicle mode, sound and vibration notifications, adjustable grips and sticks. The Visionplus also uses brail for the hearing impaired! I… kinda want one for myself. Seems kinda useful. Designer: Cenk Aytekin

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Ancient Mayan Suspended Lighting Fixture

That’s no artifact you’ve got your eyes fixed on there, that’s a genuine Studio Italia Design lighting fixture! Channeling the fantastic design sense of these elder-peoples Southern-Americans, Studio Italia takes this suspended light fixture and creates a geometric honeycomb shape made with a lacquered metal frame. I wonder what you think of such channelling : are you foe or are you against? There’s no denying that this particular fixture is a nice work of design. Loads of people will buy it and hang it in their house for many good years chillin in light into the future. What I’d like to know is: all you Mayan descendants out there, how does this jingle your jangle? I’m thinking about those groups of people who celebrate the ancient tribes of Mayans. If they hang this in their home amongst other celebratory wall decorations, colors, framed works, does it look like it belongs? Or does it look like it’s totally out of place, reaching for what it’s not? Or does it belong only in homes that otherwise have little or nothing to do with the stair-stepping culture? Olmec? What wha what would you do? Designer: Studio Italia Design

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SkyCottage / archimania

Architect: archimania Location: Memphis, TN, USA Client: Barry Alan Yoakum, AIA, LEED AP General Contractor: Barry Alan Yoakum, AIA, LEED AP Structure: Poe Engineering Mechanical consultant: Haltom Engineering Electrical Consultant: De Pouw Engineering Lighting Advisor: Benya Lighting Design LEED for Homes Provider: AEC Project year: 2007 Budget: US$ 416,387 Project Area: 238 sqm Photographs: © Jeffrey Jacobs Photography SkyCottage is a progressive home whose design is informed by the view of the Mississippi River, embraces the challenges of a tight site, and enhances the community fabric of one of the earliest examples of New Urbanism. Concept This three-story residence occupies a tiny, pie-shaped corner lot with a view of the Mississippi River. The parti demonstrates an interest in abiding by the rules set forth in the neighborhood, yet also bending them as a response to the River. The result is the composition of two architectural volumes. A white-brick cube aligns itself with the established streetscape of rowhouses, and an elevated alloy-coated steel box resists this grid by transversing the cube in both directions, responding directly to the River view. Interior The house is a series of experiences that are directed by view and movement. The first floor has floor-to-ceiling glass that defines a combination of entry, patio and guestroom spaces. The visitor moves up and into the home’s living level, which reveals an intensely focused view of the River. Lastly, one ascends to the most private zone, the master suite. It includes a dramatic view of the River, a sweeping vista to the north, and a rare city view to the south. Green The design provides an extremely high ratio of green-space-to-buildable-area than is found elsewhere in the development. The home’s footprint consumes only 44% of this area. Open view sheds are maintained for neighboring homes and the casual passerby. SkyCottage is the first Tennessee residence designed and owned by an architect that has been submitted for LEED for Homes Certification.

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